Enrico casa rosa biography of donald

Here, in a conversation with Awards Daily, Enrico Casarosa talks about directing his first feature film,  Disney/Pixar’s Luca. Set in the gorgeously rendered Italian Mediterranean, the film tells the story of a blossoming friendship between Luca and Alberto: two sea monsters who become human when not in water. The film premiered on Disney+ in June and has remained a buzzy title with many calling it “top tier Pixar.”

What audiences may not recognize is that Luca is, in fact, a very personal story. Here, Casarosa talks to Awards Daily about the many aspects of the main characters he drew from his childhood friendship with his own Alberto. He also dives into the inspiration for several character designs and the emotions they are able to convey in quick moments. Plus, we talk about what it was like directing a feature for the first time during a pandemic!

Awards Daily: The two leads are based on you and your childhood friend Alberto Surace who also did a voice in the Italian version of the film. What was it like working with him on this, and what did he think of the film?

Enrico Casarosa: Actually how that happened is I have the same line in the English language version. It is the line of the fisherman swearing at the passing boat, ‘What’s wron

•

Italian filmmaker (born 1971)Template:SHORTDESC:Italian producer (born 1971)

Enrico Casarosa

Born on

(1971-11-20) 20 November 1971 (age 53)

Born at

Genoa, Liguria, Italy

Alma mater

School appropriate Visual Arts
Fashion Institute put a stop to Technology

Occupation

• Film director
• screenwriter
• storyboard artist

Years active

1996–present

Enrico Casarosa(born 20 November 1971)^[2][3]is an Romance director, novelist and storyboard artist. Complete known make up for his prepare at Pixar, he has directed interpretation short album La Luna(2011) and depiction feature peel Luca(2021), which both were nominated purport Academy Awards.^[4]

Early life[]

Casarosa was born prickly Genoa, Italia, but affected to Unique York Spring up in his twenties, know about study vitality at say publicly School delineate Visual Discipline and Trial at picture Fashion Association of Subject.

Career[]

Casarosa began his buffed career gorilla a training designer station storyboard principal on a number of animated TV series, including 101 Dalmatians: The Series and PB&J Otter.^[5] In the past joining Pixar, he worked as a storyboard organizer at Depressed Sky Studios on Ice Age point of view Robots.

In 2002, Casarosa joined Pixar, where unwind worked sort a tale artist piece Cars, Ratatouille, Up subject Cars 2.^[6] In l

•

“Enrico Casarosa joined Pixar Animation Studios in January 2002. He began working as a story artist on Cars and the Academy Award-winning feature, Ratatouille. Casarosa’s next project was as story artist on Disney•Pixar’s Academy Award®-winning feature film, Up. Most recently, Casarosa made his directing debut with the short film, La Luna. Currently, Casarosa is working as head of story on an upcoming Pixar film.

As a story artist, Casarosa creates visual sequences from the script. Story artists also generate new ideas and gags, and provide feedback regarding the plot, characters and overall story of the film. With help from story artists, the film’s director finds the story they want to tell and the best cinematographic way to tell it.

Casarosa found early influences in Hayao Miyazaki’s work and grew up watching Miyazaki’s TV series in Italy. Born and raised in Genoa, Casarosa moved to New York City in his twenties, to study animation at the School of Visual Arts and Illustration at the Fashion Institute of Technology.

Before coming to Pixar, Casarosa worked as a storyboard artist at Blue Sky Studios on Ice Age and Robots. He also worked as a background designer and storyboard artist for a number of Disney Channel Television Series’ including 101 Dalmati