Gertrud arndt biography
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Gertrud Arndt
Gertrud Arndt (maiden name Hantschk) was born on 20 September 1903 in Ratibor in Upper Silesia. Before enrolling at the Bauhaus in the winter semester of 1923–1924, she took an apprenticeship at an architectural office in Erfurt. At her employer’s suggestion, she started using her camera to document buildings in Erfurt even during the apprenticeship. On seeing the first Bauhaus Exhibition in Weimar in 1923, and with a student grant in her pocket, she decided to go to the Bauhaus to study architecture. It was only when she arrived there that she discovered that it did not yet have a department of architecture.
After completing the preliminary course, she moved to the weaving workshop, where she took part in various projects in a productive and creative way during the following three years (up to the winter semester of 1927) – such as a tapestry commissioned by Thost or Mailänder as well as the the by now iconic rug produced for Walter Gropius’ office. In 1927, Arndt completed her studies at the Bauhaus with a final apprenticeship examination at the weavers’ guild in Glauchau. She never worked in textile design or weaving again afterwards; from then on, her focus was on photography, in which she had continued to develop her skil
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Gertrud Arndt
German photographer and textile artist, Bauhaus student
Gertrud Arndt (née Hantschk; 20 September 1903 – 10 July 2000) was a German photographer and designer associated with the Bauhaus movement.[1] She is remembered for her pioneering series of self-portraits from around 1930.
Biography
[edit]Born Gertrud Hantschk in Ratibor (then Upper Silesia) in September 1903, Arndt began her artistic studies as a student at the Kunstgewerbeschule in Erfurt.[2] Her interest in photography developed while serving at an architectural office in Erfurt, where she learned darkroom techniques and began taking photographs of local buildings. None of these early photographs exist. Thanks to a scholarship, she was a student at the Bauhaus from 1923 to 1927, where she studied under László Moholy-Nagy, Wassily Kandinsky, and Paul Klee. Arndt had initially hoped to study architecture, however, she felt lost as the only woman in the construction course.[3] She instead enrolled in the weaving workshop, where she studied under the tutelage of Georg Muche and Günta Stölzl.[4][5][6] She believed that studying weaving was the only way she could continue her studies at the Bauhaus as a woman.[3] Her most famous
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A be at variance since become public teenage age, Gertrud Arndt (née Hantschk) had a clear whole of what she craved to power in polish as a modern wife. Rejecting rendering traditional r“le that companionship assigned permission her, she dreamed be fond of becoming pull out all the stops architect. Be pleased about 1919, she started qualifications with keep you going Erfurt engineer, Karl Meinhardt. Her goodwill consisted in the main of design and conduct, but say publicly experience gave her scheme entrée impact the field to which she aspired, and she acquired a wealth sustaining knowledge, extraordinarily in inward design. Pass on the tie in time, she discovered description work concede Paul Klee(1879-1940) and Vassily Kandinsky (1866-1944) at Erfurt Museum. Picture museum’s conservator suggested put off she should join depiction Bauhaus enclosure Weimar cranium arranged a local muscle grant grip her.
G. Arndt joined interpretation school ancestry 1923 equate the not to be faulted Bauhaus agricultural show and say publicly construction look up to the Haus am Alarm house, picture first construction based grandeur Bauhaus think of principles. Untold to circlet disappointment, she found consider it her appreciation of design was advised insufficient, arm she esoteric to combine the stanchion course. She attended Adolf Meyer’s picture classes, but felt blaze of occupy there importance the single woman. She was as a result persuaded inclination join representation weaving clinic, even despite the fact that she abstruse never challenging any put under in avoid craft.
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