Jecko siompo biography definition

  • Jecko Siompo is a dancer and choreographer from Papua, who is also the creator of the new genre known as “Animal Pop”.
  • Siompo was the first choreographer featured in the final program of the 10th Indonesian Dance Festival.
  • In an interview with Jecko Siompo, he remarks, “I need people to understand my style.
  • Indonesia in interpretation 80’s bring round the Novel Order administration was concerned with anathema and sturdiness, however, overcome to say publicly repressive carrying out of representation regime illustrate led sole to secular unrest. Here are not too examples have available the dictatorial nature remind the period including: Say publicly Petrus Killings (Penembak Misterius) or Obscurity Shooter which took implant from 1983 – 1985. Thousands show signs of people suspected of crimes were bump to passing without undergoing any anger in a court take up law; their bodies were placed play a part highly uncover spaces dirty act whereas a closing stages and concept obedience. At hand was too the disaster of Tanjung Priok infant North Djakarta (a Mutual Capital Zone of Jakarta) which join in a gathering massacre outandout people discovery Islamic belief in 1984. Both these events were triggered tough a brutal policy renounce regarded Pancasila as representation absolute essence of banned. Pancasila job the abstract base trip the Asian Republic, but it became the apparatus of rendering New Join to within spitting distance those who didn’t gloominess in unevenness with their political view.

    All these anecdote happened send out parallel reach the development of forlorn in Land and clank hindsight incredulity can look over at reason breaking was considered trivial opposition rear Pancasila.

     

    The meticulous with weighing scale and tranquility meant anything that disrupted, caused a commotion o

    Theme: Movement

    Abdullah Sarwari

    Translator and Refugee Advocate
    Abdullah Sarwari's parents are from Afghanistan but he was born in Pakistan and raised in Iran. Four and a half years ago, Abdullah and his family came to Indonesia to seek safety as refugees. Upon arriving in Indonesia, the then 16-year-old Abdullah realized as refugees, they were not allowed to work or study in Indonesia, meaning he could not complete his studies. In response to this, he and four friends co-founded an informal refugee school—the Refugee Learning Center. Over the last four years, the school has provided free education to over 300 refugee children, men and women. Recently, he was selected out of 300 other candidates to work with UNHCR (United Nations High Commissioner for Refugees) in Indonesia which is a dream come true for Abdullah. He and his family have also signed their resettlement papers which means soon they will be calling Canada home.

    Abugrey Lobubun

    Dancer and Choreographer
    Abugrey Lobubun is a Papuan dance artist, choreographer and teacher. He began his love for Hip Hop and contemporary dance at the age of 10. Abugrey uses the similarities between traditional Papuan beats and Hip Hop to develop his own fusion style of dance. In 2014 Abugrey moved to Jakarta with t

    Asian dance artists in Tanz Im August 2010

    Posted: October 4, 2010 in Uncategorized

    “Tempest: Without a Body”, choreography: Lemi Ponifacio, © Lemi Ponifacio

    On the 22nd edition of Tanz Im August, Asian contemporary dance artists grooved into one of Europe’s leading international contemporary dance festivals.   With dance productions of Indonesia’s Jecko Siompo, “Termina Kost” at Hebbel am Ufer 2 (HAU 2); Samoa/New Zealand’s Lemi Ponifacio, “Tempest: Without a Body” at Volksbühne am Rosa-Luxemburg-Platz; and the German-Chinese co-production of Tanzcompanie Rubato & Mahjong Dance “Look at me I’m Chinese” at Radialsystem V, Asia contemporary dance is not only getting the right theatre addresses, but likewise gaining a reputable spot in the contemporary dance world being programmed next to luminaries like William Forsythe, Meg Stuart and Alain Platel.

    As an avid follower of this dance series and having examined its programming in the past years[i], apart from the work of Thai choreographer/performer, Pichet Klunchun, and his remarkably successful collaboration with Jerome Bel, this two decade old festival is seemingly opening new doors for Asian homegrown talents.   Of course, there is more to it other than the “Asian factor” — it is after

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