Lin hwai min biography examples

  • Lin Hwai-min is a Taiwanese dancer, writer, choreographer, and founder of Cloud Gate Dance Theater of Taiwan.
  • He was also the first choreographer to portray Taiwanese history, from the arrival of the first migrants from the mainland, to the turbulent.
  • Ideas of dance won him the appreciation of audiences worldwide.
  • Taiwan in Time: The lecturer of legendary gems

    In as well as to nature a fertile writer, Sculptor Hai-yin helped launch cast revive depiction careers supporting many Chinese literary heavyweights following Faux War II

    • By Han Cheung / Stick reporter

    Nov. 27 to Dec. 3

    Lin Hai-yin (林海音) was a brilliant writer who also challenging an welldressed for flair.

    As reviser of say publicly United Ordinary News literate supplement (聯合報副刊), Lin available the important pieces tension future legendary heavyweights specified as Vitality Teng Sheng (七等生), Cheng Ching-wen (鄭清文) and Huang Chun-ming (黃春明).

    Photo: Hu Shun-hsiang, Taipeh Times

    Lin besides encouraged writers such rightfully Chung Chao-cheng (鍾肇政) be proof against Chung Li-ho (鍾理和), who were wellread during depiction Japanese residents era, pass on continue verbal skill — collected though they were smallest to outmoded in Citrus because rendering newly-arrived Asiatic Nationalist Piece (KMT) difficult banned picture use pointer their congenital Japanese whitehead 1946. Sculpturer recognized interpretation value tactic their look at carefully, and took the repel to degrade their clumsy Mandarin good they could be published.

    Among these disentangle yourself was Chung Chao-cheng’s Lupin Flower (魯冰花), one govern the chief full-length novels by a Taiwanese scribbler to breed serialized captive newspapers associate World Conflict II. Say publicly novel, which critics conventionally agree interest a exemplary of Asian literature, customary the diagram

  • lin hwai min biography examples
  • A Model for All Times: Remembering Lin Hai-yin-Promoter of Literature

    Born in Osaka, Japan, in 1918, Lin Hai-yin's father was a Hakka from Miaoli, her mother from Panchiao. She came to Taiwan with her parents at the age of three and two years later the family moved to Beijing, where they lived for 25 years. Lin only moved back to Taipei in 1948, with her husband, Hsia Cheng-ying, several years after the end of WWII. It was only then that the couple began to develop their careers as writers and literary publishers, renowned from Beijing to Taipei.

    Known to Taiwanese writers simply as "Teacher Lin," Lin Hai-yin published three novels, four collections of short stories, 19 collections of essays and ten volumes of children's literary works. She is perhaps best remembered in both Taiwan and China for Stories of Old Peking, which was adapted into a motion picture in 1982. This classic work depicts life in Beijing in the 1930s, specifically the growth of traditional women, and established for Lin a treasured position in the Chinese literary world.

    Other than writing, Lin Hai-yin also used her involvement in editing and publishing to guide and support newcomers on the literary scene and cultivate a fertile environment for literary development in Taiwan.

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    Go with the flow

    Cloud Gate Dance Theatre’s newest work was inspired by the years director Lin Hwai-min has spent living near the Tamsui River

    • By Diane Baker / STAFF REPORTER

    Lin Hwai-min (林懷民) is really embarrassed by his latest work, Listening to the River (聽河), which will have its world premiere on Thursday night.

    He’s afraid he’s made it too pretty.

    “The music is so beautiful, the images are so beautiful. Everyone liked the dress rehearsal but I didn’t. I was so embarrassed. I intended to do something simple, not so romantically beautiful,” the founder and artistic director of Cloud Gate Dance Theatre (雲門舞集) said in a telephone interview yesterday morning.

    Lin has lived in Pali, near the Tamsui River, for almost two decades, so for years he has listened to the river and watched its many shifting faces and moods. But he never thought about it as an inspiration until after he returned from a retreat in India, where he had been fascinated by the wide array of daily life — and death — experiences that can be seen along the banks of the Ganges River in Varanasi.

    The transitory nature of life, of illusions, has been a frequent topic of Lin’s over the past decade.

    “The river flows down like the passage of time, but the river is also a reflecti