Manutius aldus biography of william
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The Latin Letters of Aldus Manutius, 1483-1500
Foreword
The following is a collection of nineteen letters to and from Aldus Manutius, intended to give the reader a sense of the humanist republic of letters as it began to take shape around the printer and his press. They coincide with, and often allude to, Aldus’ publication of landmark works in the history of printing. As such, they are valuable resources for understanding the sorts of material and interpersonal exchanges required of these pioneering efforts, as well as the burgeoning philological methodologies that he helped develop for the sake of his critical editions. The project owes its inception to Professor Shane Butler, whose work on the I Tatti Renaissance Library’s edition of Angelo Poliziano’s Latin epistolaria gave him the impetus to lead a practicum on the subject of Neo-Latin editing for students at Johns Hopkins University in the spring of 2019. Letters 2 and 3 derive from his unpublished work on that same project, supplemented by seventeen others that have been edited and translated by the participants in his course. What you see is the end-product of the combined effort of a team of students, both graduate and undergraduate, of multiple disciplinary backgrounds (Classics, Italian Studies, and History of
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seminalbooks
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Technically accept aesthetically, Manutius introduced a string quite a few innovations including typefaces come out Bembo, Garamond and Palatino, regularised mark, and scholastic introductions, but the modernization for which he psychoanalysis most wellknown is rendering • The printer Aldus Manutius was born in the town of Bassiano, located 37 miles southeast of Rome, around 1450. He studied Latin in Rome under Gaspare da Verona and Greek in Ferrara with the son of the famous scholar Guarino Guarini. In Florence he met the humanists Poliziano and Giovanni Pico della Mirandola. When working as a tutor of the Pio family in Carpi, Aldus conceived the idea of establishing a press devoted to the printing of the Greek classics. For this enterprise he chose Venice, a vibrant commercial city where there was a large community of Greek immigrants. The first Aldine edition of the Homeric poems (1504), of which the U-M Library holds a copy of the Odyssey, set the standard for what was included in “the complete Homer”: Iliad, Odyssey, Batrachomyomachia, Hymns, and Lives attributed to Herodotus, Dione, and Plutarch. As Aldus had previously done for many other Latin and Greek writers, these two volumes were printed in a handy pocket format (octavo). In the preface of his second octavo edition of the works of Vergil, which he dedicated to Pietro Bembo, Aldus mentions that he had greatly admired the miniature manuscripts in the library of Pietro's father, Bernardo Bembo. Perhaps these manuscripts were Aldus
Aldus Manutius' Homer