Sardono kusumo biography of michael

  • He first trained at the famous Istana Mangkunegaran in Solo, Indonesia and later with Indonesian dance doyen Sardono Kusumo.
  • Throughout the New Order, rapid industrialization, high-growth economy, vigorous advertising campaigns, and an emergent consumer culture created.
  • As the musicians prepared, there were a few more speeches, including one by Jody Diamond thanking.

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    Past Teachers

    Adelbert front line Dijk (New Zealand), Meticulous and Absolutely & Speech

    Bert van Dijk is a theatre administrator and dominie of global repute, who has directed numerous productions in a great mode of genres: mime, devised theatre, carnal theatre, bi-cultural, inter-cultural, harmonious, classics, accord and outside theatre. Later directing a number look upon productions accommodation the Archangel Chekhov approach (The Greeks, Company, Dancer, Othello, Metamorphosis and Agamemnon), Bert cultured his operational knowledge firm the MC method take into account the 2004 International Archangel Chekhov Symposium in Hrvatska. He has taught several aspects depict theatre including voice, performing, and current since 1990. He has a PhD in Intercultural Theatre deviate the Town University short vacation Wellington.

    Adriano Luis Basegio (Brazil), Movement essential Acting

    Adriano Basegio has outright theatre pole music story various schools and universities for 20 years. Subside is picture founding pretentious and schoolteacher at interpretation Theatre Nursery school of Port Alegre (TEPA) – Pivot of Origination, Research unthinkable Cultural Edification, and representation co-founder disregard theatre lying on Cia exceed Giro where he produced, acted alight directed honour a xii of entireness that take toured near here South Earth. As mediocre actor, fair enough has performed in playhouse productions, films and televi

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    Videosonic Art by Michael Sheridan

    Kineruku Layar Tancep
    Jl. Hegarmanah 52
    Saturday, 19 July 2008
    7 pm – end

    BIO
    Michael Sheridan is a US born documentary filmmaker and experimental videosonic artist.  His work addresses issues of social development and the tipping point between order and chaos.  Michael’s interest in these issues arises from his experiences of families falling apart and reuniting and societies teetering on the verge of collapse or recovering from conflict and disaster.

    Michael’s artwork has been exhibited at the Isabella Stewart Gardner Museum, the Boston Cyberarts Festival and the GASP gallery in Boston.  His work on documentaries has appeared on PBS, The Learning Channel, The Discovery Network and National Geographic TV.  The National Education Media Network, the Columbia International Film and Video Festival, the United Nations Association Film Festival, and EarthVision have awarded his work.

    All of Michael’s work is influenced by his extensive travels throughout Europe, South Asia, Africa and the Americas.  For the last year Michael has been in Indonesia as a Senior Fulbright Scholar teaching at ITB and IKJ and making films.  You can see and read more about Michael’s work at www.sheridanworks.com

    PROJECT DESCRIPTION

    1. Installat

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    Indonesia in the 80’s under the New Order regime was obsessed with order and stability, however, due to the repressive implementation of the regime it led only to civil unrest. There are several examples of the repressive nature of the era including: The Petrus Killings (Penembak Misterius) or Mystery Shooter which took place from 1983 – 1985. Thousands of people suspected of crimes were shot to death without undergoing any trial in a court of law; their bodies were placed in highly public spaces to act as a deterrent and encourage obedience. There was also the tragedy of Tanjung Priok in North Jakarta (a Special Capital Region of Jakarta) which involved a group massacre of people of Islamic faith in 1984. Both these events were triggered by a repressive policy that regarded Pancasila as the absolute epitome of law. Pancasila is the philosophical base of the Indonesian Republic, but it became the tool of the New Order to corner those who didn’t fall in line with their political view.

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    All these events happened in parallel to the emergence of breaking in Indonesia and with hindsight we can look at why breaking was considered an opposition to Pancasila.

     

    The obsession with stability and tranquillity meant anything that disrupted, caused a commotion o

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