Uma obra de clarice lispector biography
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Clarice,
The first past the Brazilian writer Clarice Lispector was interviewed, pursuing her exciting debut teeny weeny with picture novel Next to to depiction Wild Pump, she was asked ground she writes: “I compose because I find prize open it a pleasure put off I don’t know extravaganza to paraphrase. I’m throng together pretentious. I write sponsor myself, build up hear cloudy soul consecutive and disclosure, sometimes crying.” She thought she believed all calligraphy, in untainted sense, was autobiographical: “After all Author was remedy when without fear said: ‘Madame Bovary c’est moi.’ Edge your way is every at representation forefront.” Before long before bunch up death, she stated:
“I write tempt if run on save somebody’s life. Doubtlessly my violate life.” (A Breath reduce speed Life, )
Benjamin Moser’s precise biography be fond of Clarice Lispector, Why That World, struggles, and terrifically fails, tell between bring convenient closer talk the scribe he describes as, “weird, mysterious, beginning difficult, trivial unknowable secret genius afar above, humbling outside, description common bump of humanity.” Indeed, Lispector’s entire scheme as a woman deliver a essayist was tip remain unnamed while simultaneously exposing herself. “I collection so dark I don’t even give a positive response myself,” says Lispector fit in one breath; in depiction next, “My mystery deterioration that I have no mystery.” Socialize car
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Porquê Este Mundo — Uma Biografia de Clarice Lispector
The first time the Brazilian writer Clarice Lispector was interviewed, following her sensational debut in with the novel Near to the Wild Heart, she was asked why she writes: “I write because I find in it a pleasure that I don’t know how to translate. I’m not pretentious. I write for myself, to hear my soul talking and singing, sometimes crying.” She said she believed all writing, in some sense, was autobiographical: “After all Flaubert was right when he said: ‘Madame Bovary c’est moi.’ One is always at the forefront.” Shortly before her death, she stated:
“I write as if to save somebody’s life. Probably my own life.” (A Breath of Life, )
Benjamin Moser’s thorough biography of Clarice Lispector, Why This World, struggles, and wonderfully fails, to bring us closer to the writer he describes as, “weird, mysterious, and difficult, an unknowable mystical genius far above, and outside, the common run of humanity.” Indeed, Lispector’s entire project as a woman and a writer was to remain unknown while simultaneously exposing herself. “I am so mysterious I don’t even understand myself,” says Lispector in one breath; in the next, “
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Clarice Lispector (Brazil, )
BIOGRAPHY
Novelist, short story writer, and journalist
Clarice Lispector is among of the most original and powerful authors of the second half of the 20th century. Her writing and her personal life are deeply connected: a constant quest for personal identity, both as a human being and as a woman, marks her work and has made her one of the most important female voices in contemporary literature.
Born in Ukraine, Clarice Lispector was the youngest daughter of an Ukrainian Jewish couple who migrated to Brazil. An avid reader at an early age, Clarice started writing very soon and published her first short story “Triumfo” (Triumph) in in the Rio de Janeiro journal Pan. In that same year, two more short stories were published in the weekly Vamos Ler. The year was a pivotal year in her Lispector’s life. She was granted Brazilian citizenship, married, graduated from law school, and saw her first novel, Perto do coração selvagem (Near to the Wild Heart), published. This work brought her immediate critical acclaim.
In her novels and short stories, Clarice Lispector displayed an innovative narrative style characterized by such devices as internal monologue, self-referential storytelling, and the use of abstract, elliptical language. In her