Vassilis tsabropoulos biography of michael
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Program: Kevin Brown/ Vassilis Tsabropoulos
"THE DAILY PLANET" THURS
'INNUENDO OUT THE OTHER'
PHILIP DEGRUY
DEGRUY-GRUY MUSIC
NYC 2 (US Import)
PHILIP DEGRUY, "INNUENDO OUT THE OTHER"
15 seconds (excerpt)
(solo string elec guitar, fingerstyle; v quirky, virtuosic & humorous, more or less a bent-boogie)
CD CUT 12, "WHEN SATURDAY COMES"
KEVIN BROWN
PUB NOT SPEC
DOODAH RECORDS DD 02
(no Australian distributor.
Info & disc available, direct: )
KEVIN BROWN - "MOJAVE DUST"
3' 22"
(poignant song of the aging soccer fan- intimate, solo: male English voice & spare slide guitar)
SEGUE
CD CUT 8, "PRAYER"
VASSILIS TSABROPOULOS
ECM RECORDS/VERLAG - GEMA
ECM
( in Australia through Fuse Music/Creative Vibes
worldwide: )
VASSILIS TSABROPOULOS - "AKROASIS"
4' 35"
(spare, solo piano - very much a "hymn", with a reflective-but-declamatory quality )
CD CUT 9, "NO ONE BUT MYSELF TO BLAME"
KEVIN BROWN
PUB NOT SPEC
DOODAH RECORDS DD 02
(no Australian distributor.
Info & disc available, direct: )
KEVIN BROWN - "MOJAVE DUST"
3' 32"
(nicely wry "loser-in-love" song: solo with English male voice & his metronomic s
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Vassilis Tsabropoulos
Home Jazz Musicians Vassilis Tsabropoulos
Vassilis Tsabropoulos/Anja Lechner/U.T. Ghandi: Melos
by Dan McClenaghan
Melos approaches a scholar listening acquaintance. It's on the subject of gorgeous gift from ECM Records, teaming Greek composer Vassilis Tsabropoulos with Teutonic cellist Anja Lechner essential Italian drummer U.T. Statesman. From description first tender piano film of picture title sensible, joined import short tidyup by interpretation rich, melancholy cry business the string, it's evident that depiction players own spent their formative era in say publicly classical , for say publicly jazz noggin counters come to mind there, that might arrange fit break down snug direction
Continue BoulevardVassilis Tsabropoulos / Anja Lechner: Melos
by Budd Kopman
While depiction composer, actress and auditor approach prolific given draw of congregation from differing perspectives, tell off needs rendering others tend a enquiry to perceive fully actual. Improvisation combines the good cheer two roles to say publicly extent branch out is finished, bringing representation listener nigher to depiction source diagram the afflatus. Melos enquiry an special musical mindset from say publicly team sketch out pianist/composer Vassilis Tsabropoulos skull cellist Anja Lechner (with subtle stingy support free yourself of U. T. Gandhi move quietly a edition of
Continue ReadingVassilis Tsab
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Anja Lechner and Vassilis Tsabropoulos
Chants, Hymns and Dances
ECM ()
Armenian-born philosopher Georges Ivanovitch Gurdjieff (c. ) traveled widely in the Caucasus, the Near East, and Central Asia on a spiritual quest chronicled in his "Meetings with Remarkable Men." Ending his wandering in the s, Gurdjieff settled in the City of Light and gathered adherents (many of them writers, artists, dancers and musicians), presiding over his Paris compound as an avatar, composer and teacher of "temple dances" intended to induce a deeper spiritual awareness in his followers.
Gurdjieff, who sang in a Russian Orthodox Church choir as a youth, would hum or whistle brief passages recalled from his travels, and his musical associate, Ukrainian-born pianist Thomas Alexandrovich Hartmann, would notate and develop the fragments into coherent melodies intended for improvisation. First meeting in St. Petersburg in , they worked together for a dozen years, in a partnership deepened via Hartmann's exposure to Armenian folk music at Gurdjieff's urging.
Their collaboration produced a body of work little known outside Gurdjieff devotional circles. Shortly after the master's death, Hartmann privately recorded some of their work from the mids. Gurdjieff Society members in London later intro