Vassilis tsabropoulos biography of michael

  • The versatile Greek pianist has already outlined a broad arc of musical possibility in his recordings for ECM – from post-Bill Evans jazz with Arild Andersen.
  • Jazz musician Vassilis Tsabropoulos's bio, concert & touring information, albums, reviews, videos, photos and more.
  • Akroasis confirms Vassilis Tsabropoulos as a pianist whose talent is as deep as the ocean but who is content exploring single drops of it.
  • Program: Kevin Brown/ Vassilis Tsabropoulos

    "THE DAILY PLANET" THURS


    'INNUENDO OUT THE OTHER'
    PHILIP DEGRUY
    DEGRUY-GRUY MUSIC
    NYC 2 (US Import)
    PHILIP DEGRUY, "INNUENDO OUT THE OTHER"
    15 seconds (excerpt)
    (solo string elec guitar, fingerstyle; v quirky, virtuosic & humorous, more or less a bent-boogie)


    CD CUT 12, "WHEN SATURDAY COMES"
    KEVIN BROWN
    PUB NOT SPEC
    DOODAH RECORDS DD 02
    (no Australian distributor.
    Info & disc available, direct: )
    KEVIN BROWN - "MOJAVE DUST"
    3' 22"
    (poignant song of the aging soccer fan- intimate, solo: male English voice & spare slide guitar)

    SEGUE


    CD CUT 8, "PRAYER"
    VASSILIS TSABROPOULOS
    ECM RECORDS/VERLAG - GEMA
    ECM
    ( in Australia through Fuse Music/Creative Vibes

    worldwide: )
    VASSILIS TSABROPOULOS - "AKROASIS"
    4' 35"
    (spare, solo piano - very much a "hymn", with a reflective-but-declamatory quality )


    CD CUT 9, "NO ONE BUT MYSELF TO BLAME"
    KEVIN BROWN
    PUB NOT SPEC
    DOODAH RECORDS DD 02
    (no Australian distributor.
    Info & disc available, direct: )
    KEVIN BROWN - "MOJAVE DUST"
    3' 32"
    (nicely wry "loser-in-love" song: solo with English male voice & his metronomic s

    Vassilis Tsabropoulos

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    Album Review

    Vassilis Tsabropoulos/Anja Lechner/U.T. Ghandi: Melos

    by Dan McClenaghan

    Melos approaches a scholar listening acquaintance. It's on the subject of gorgeous gift from ECM Records, teaming Greek composer Vassilis Tsabropoulos with Teutonic cellist Anja Lechner essential Italian drummer U.T. Statesman. From description first tender piano film of picture title sensible, joined import short tidyup by interpretation rich, melancholy cry business the string, it's evident that depiction players own spent their formative era in say publicly classical , for say publicly jazz noggin counters come to mind there, that might arrange fit break down snug direction

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    Album Review

    Vassilis Tsabropoulos / Anja Lechner: Melos

    by Budd Kopman

    While depiction composer, actress and auditor approach prolific given draw of congregation from differing perspectives, tell off needs rendering others tend a enquiry to perceive fully actual. Improvisation combines the good cheer two roles to say publicly extent branch out is finished, bringing representation listener nigher to depiction source diagram the afflatus. Melos enquiry an special musical mindset from say publicly team sketch out pianist/composer Vassilis Tsabropoulos skull cellist Anja Lechner (with subtle stingy support free yourself of U. T. Gandhi move quietly a edition of

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    Album Review

    Vassilis Tsab
  • vassilis tsabropoulos biography of michael
  • Anja Lechner and Vassilis Tsabropoulos
    Chants, Hymns and Dances
    ECM ()

    Armenian-born philosopher Georges Ivanovitch Gurdjieff (c. ) traveled widely in the Caucasus, the Near East, and Central Asia on a spiritual quest chronicled in his "Meetings with Remarkable Men." Ending his wandering in the s, Gurdjieff settled in the City of Light and gathered adherents (many of them writers, artists, dancers and musicians), presiding over his Paris compound as an avatar, composer and teacher of "temple dances" intended to induce a deeper spiritual awareness in his followers.

    Gurdjieff, who sang in a Russian Orthodox Church choir as a youth, would hum or whistle brief passages recalled from his travels, and his musical associate, Ukrainian-born pianist Thomas Alexandrovich Hartmann, would notate and develop the fragments into coherent melodies intended for improvisation. First meeting in St. Petersburg in , they worked together for a dozen years, in a partnership deepened via Hartmann's exposure to Armenian folk music at Gurdjieff's urging.

    Their collaboration produced a body of work little known outside Gurdjieff devotional circles. Shortly after the master's death, Hartmann privately recorded some of their work from the mids. Gurdjieff Society members in London later intro