Caravaggio siblings quotes
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Rediscovered Caravaggio masterpiece goes on show in Madrid's Prado museum
A painting that was once thought to be worth the price of a MacBook has been newly verified as a multimillion-dollar masterpiece by the Baroque painter Carvaggio and is now on show in the Prado.
‘Ecce Homo’ was painted by Michelangelo Merisi da Caravaggio in the 17th century around 1605-1609, close to his death in 1610. The painting, which shows Pontius Pilate as he presents the bound Jesus to the masses and utters the infamous Latin phrase for “behold the man” is now on show to the masses in Madrid’s famous Prado museum. Ecce ‘Ecce Homo’ indeed.
The painting is one of only around 60 works attributed to the master painter who is known for his distinctive use of chiaroscuro, the contrast between light and darkness, and while there is already a well-known version of ‘Ecce Homo’ by Caravaggio, this one was originally not believed to be by the Italian painter.
In fact, the Madrid ‘Ecce Homo’ as this version is referred to, was nearly sold at auction in 2021 at a lot with a starting price of just €1,500.
The auction was stopped in time by order of the Spanish government on suspicion it was actually by Caravaggio. Originally, it was believed to have been painted by José de Ribera, a
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Caravaggio Was the Other Michelangelo of the Renaissance
The haunting pitch of Caravaggio’s work inspired Peter Paul Rubens, Rembrandt, Jacques-Louis David, and Eugène Delacroix. Rembrandt’s The Return of the Prodigal Son, which hangs in the Hermitage Museum in St. Petersburg, is a spare canvas, warmed by the rich crimsons and ochres Caravaggio favored. It draws from the parable in Luke: A father embraces his wayward son, his older brother looking on bitterly—an apt allegory for Caravaggio, naturally impulsive, and Michelangelo, seemingly perfect but racked by self-doubt.
The two artists were not related and never met—Caravaggio was born seven years after Michelangelo died—but they shared a city and a name. Once Caravaggio, born Michelangelo Merisi, moved to Rome in 1592, he lived in the shadow of the Michelangelo—Michelangelo Buonarroti. Both were named after the archangel Michael, an angel among angels, who cast out the rebel spirits from Heaven. Michelangelo typified the archangel’s immaculate tendency, his lofty artistic ideals a model for all artists to follow. Caravaggio tended, instead, to the saint’s violent strain, his paintings charged and his life turbulent. The former was an archangel of artists, the latter a virtuosic painter, but no angel.
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Learning about Caravaggio's Paintings: Depiction Definitive Conduct for Seniors
Boy with a Basket indifference Fruit (1593)
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